michael clayton

Coming Soon: September

Tuesday, August 25th, 2009

by The Great White Gypsy Amreeka – Written and Directed by Cherien Dabis We’ve seen this kind of thing on TV and in movies before. Actually, a lot recently. But this story of a single mother emigrating from Palestine and working at a White Castle in Illinois looks interesting. If you liked The Visitor, you’ll […]

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Coming Soon: April

Thursday, March 19th, 2009

by The Great White Gypsy My apologies for slacking on this the last two months, we’ve had our hands full.  April’s looking interesting, but this is filler season between the Oscars and summer blockbuster season, so we’ll see. Give ‘em Hell, Malone – Directed by Russell Mulcahy, Written by Mark Hosack Before Resident Evil: Extinction […]

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2009 Oscar Preview

Thursday, February 19th, 2009

Best Picture Of the five films in this category, only two really have a shot. Frost/Nixon was a great stage adaptation with amazing performances and, while solid, was ultimately compromised by Ron Howard’s lack of technical abilities. The Reader was boring, poorly constructed, and probably the most overrated film in the last 20 years. And […]

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2009 Academy Award Nominations

Friday, February 6th, 2009

So now that we’ve all had a chance to absorb the Oscar nominations, it’s time to start placing bets. We already mentioned that, in the last three years, every Oscar winner for Best Actor and Actress also won the Golden Globe. This year, however, the nominations aren’t even the same. Kate Winslet won Best Actress […]

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Golden Globes vs Academy Awards

Wednesday, January 21st, 2009

As we said, we’ve never really paid attention to the Golden Globes. Around this time of year, we’re usually already trying to predict not only the Oscar nominees, but also the winners. However, after the surprising sweeps by Slumdog Millionaire and Kate Winslet, we decided to read up on the HFPA and compare them with the Academy. We found some interesting stuff.

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Oscar Movie Review

Tuesday, January 1st, 2008

Atonement   This sophomore effort by Joe Wright is a directorial paint-by-numbers designed specifically to get an Oscar.  It is rigid, mechanical, and devoid of the emotions it is supposed to arouse.  The score, costume design, and cinematography are all solid, but not extraordinary.  The screenplay lacks the substance to make you believe James McAvoy […]

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